Life of the Record
Life of the Record
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The Making of CHUTES TOO NARROW by The Shins - featuring James Mercer
• 77 minFor the 20th anniversary of The Shins’ second album, CHUTES TOO NARROW, we take a detailed look at how it was made. After getting their start in Albuquerque in the early nineties as a band called Flake, James Mercer, Neal Langford, Marty Crandall and Jesse Sandoval eventually morphed into The Shins. Mercer had first conceived of The Shins as an outlet for his quieter songs that weren’t working for Flake. Sandoval joined him initially and when Flake called it quits in the late nineties, Langford and Crandall also ended up joining The Shins. They caught the attention of Sub Pop, who signed them to a deal and released their debut album, OH, INVERTED WORLD in 2001. The album was a result of a year of recording at home with inexpensive gear that managed to reach a large audience. For their second album, Mercer had left Albuquerque and moved to Portland, Oregon, where he set up a basement studio with some better quality gear and recorded the majority of the record at home. Ultimately, the band finished the record with Phil Ek co-producing and mixing at Avast! Recording Co. in Seattle. In this episode, James Mercer describes the pressure he was putting on himself to prove that The Shins weren’t just a fluke. With the goal of making a career in music, Mercer talks about this intense period when he was challenging himself as a songwriter to come up with interesting chord progressions and unique lyrics. Mercer also talks about the interpersonal relationships and shifting power dynamics in the band and how his close friendship with Neal Langford fell apart at this time. From wanting to make a stripped down and honest record to working with Phil Ek in a proper studio to the lineup change of Dave Hernandez replacing Langford to staying up all night to write a song at the very last minute to finding inspiration from a thrift store copy of Neil Young’s Harvest, we’ll hear the stories of how the record came together.
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