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SCOUT LARUE WILLIS | Portrait
• 21 minScout Willis has always been musical throughout her life, but she didn’t know she would end up focusing on music in such a big way. Choosing to do a solo record was a big decision, leading to her first self-titled album, Scout Larue Willis. On this episode of LaunchLeft, Scout shares with Rain about the art of creative collaboration, her earliest musical memories, and excitement about performing her new songs in front of an audience. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:00] Scout’s decision to record a solo album. [09:00] How music influenced Scout throughout her life. [15:00] What drives Scout in regards to service to others. [18:00] Listen to Scout’s song from the album. KEY TAKEAWAYS: A lot of vulnerability and sensitivity goes into an artist’s music. Letting go of judgements of yourself can help you feel compassion for others. RESOURCE LINKS Scout on IG Scout on Twitter Scout on YouTube Scout on Soundcloud BIO: Imbued with wistful melodies and eloquent, eccentric arrangements, Scout LaRue Willis’ self-titled debut is an unflinching chronicle of hard decade, a coming-of-age album that turns this young auteur’s darkest fears into hurt yet distinctly hopeful songs that both soothe and catalyze. From her first lonely notes on “Blue Moon” until the final rowdy sing-along on “Red Road Home,” she comes across as an artist who grounds her music in vivid inspiration as well as honest experience; In the exquisitely simple and authentic expression of Patsy Cline, in strange dreams half remembered upon waking, in old cowboy trail songs, in the 1960s classic rock passed down by her father like an heirloom, in the everyday challenges of being a human and in the operatic way Roy Orbison delights in his voice. Willis constantly marshals her resolve as she conveys hard truths in her graceful rasp: “And I will pass this test, ‘cause I know I am strong,” she declares on the anthemic “Woman at Best.” “I won’t call out your name, I’ll just sing out this song.” While it’s immediately apparent that she’s an original voice, it took her many years to find the courage to share it. After harboring tender, childhood aspirations of being a musician, she felt discouraged by certain experiences in high school and all but suppressed the dream. It wasn’t until she started writing songs and singing as one-half of the duo Gus + Scout while at Brown University that she realized it was something she could really pursue. In between classes they managed to tour and record a 2012 EP that mixes early rock and doo-wop sounds. “We’d go away for the weekend, play a little festival and then have to come back and finish papers. It was thrilling getting to run away and moonlight as a rockstar for a little while.” The pair paused musically upon graduation, and Willis spent years believing she couldn’t pursue music as a career. “Somewhere between fear and misperception I had this idea that I shouldn’t and couldn’t pursue music full time. My reasoning was based in self judgement, that I needed a ‘real job’ and that especially coming from privilege, music didn’t fall into that category. Later though, I realized this was just a very clever way to hide from the deep, unconscious fear I had around sharing myself and my art with the world” This safety net led her to a number of other jobs in the interim, all the while contin
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